Directed by Dale Fabrigar, Everette Wallin
Starring Abigail Schrader and Samantha Lester
Not Rated (Some violence/disturbing images, strong language)
Happy belated Halloween. It’s already fucking November.
Goddamnit. Well, I guess for my inaugural posts on my new film blog (probably
the tenth time I’ve tried to start one), I should post about what the majority
of a lot of these posts are going to be about- Horror, sci-fi, and geek-related
topics. That’s who I am and what I like, so I figure I’ll dive into some recent
horror releases on DVD and download.
So, not too long ago I heard of two found-footage dinosaur
films. I was aghast. I wanted to make that! There are far too few giant monster
movies, let alone ones involving dinosaurs, and found footage can work
perfectly for it. One was called “The Dinosaur Project,” an adventure film, and
the other was called “Area 407,” a horror film. The latter just came out on DVD
a few weeks ago and I was glad to see it.
Area 407 starts out as pretty much every found-footage movie
does- a teenager using a video camera way too goddamn much. 15-year-old and (I think) 18-year-old
siblings are on a plane to LA when the plane breaks down and crashes in the
middle of nowhere. Except it isn’t in the middle of nowhere- it’s in a secret
government testing site where Velociraptors…or maybe baby T-Rexes (again, I
think, the movie doesn’t identify them) have gotten loose. Cue people getting
yanked into darkness and bloody aftermath shots.
This movie is very, VERY low-budget. There’s pretty much
only one shot of CGI at the end and most of the prosthetic and puppet effects
are obscured by lighting choices. It’s understated, but in a charming way. It’s
a hell of a lot better than having it all CGI and showing the monsters the
whole movie. That’s where the film is most successful, building tension and keeping
you scared. You see what the characters see and it’s totally frightening at
times.
Where the movie fails is that, at least in the beginning,
the characters are completely, totally, annoying. Indescribably, mind-rapingly
annoying. Eventually, though, the characters start to grow on you, and they all
have distinct personalities. The shock of everything happening accounts for the
occasional poor choice, but generally these characters do their best to
survive. The movie gives us an explanation as to why the camera’s are
constantly rolling, too, that being that it’s dark and they need the lights on
the cameras to see. It robs the film of any kind of social commentary that
using found footage provides, but hell, it also prevents the film from getting
too fucking preachy like Paranormal Activity, Catfish, and Diary of the Dead
did. It’s a wash there.
Part of me wishes that the movie had like, 2-4 million more
dollars in the effects budget to give us some really GOOD effects-driven
moments like Chronicle had. The film just doesn’t give us enough to look at.
It’s mostly just people yelling. It’s somewhat engaging, but there’s nowhere
near enough dinosaur in the movie. There’s so little that the characters
themselves can’t even tell that there are fucking dinosaurs, they just know it
has a tail and teeth. What is there is effective, ut the movie is curtailed by
the budget.
The ending is a stock cliché “shock” ending that I could see
three miles away. But it was still mildly effective because I had grown used to
the characters, with all of their faults and annoyances. Overall, it’s worth a
rent, especially if you have Netflix Instant Watch (and at this point, who
doesn’t?).
C+
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